Graphical processing units GPUs are often used for compute-intensive workloads such as graphics and visualization workloads. GPU-enabled VMs contain specialized hardware that is subject to higher pricing and region availability. For more information, see the pricing tool and region availability. This article assumes that you have an existing AKS cluster.
You also need the Azure CLI version 2. Run az --version to find the version. Get the credentials for your AKS cluster using the az aks get-credentials command. It might take several minutes for the status to show as Registered. You can check the registration status by using the az feature list command:. When the status shows as registered, refresh the registration of the Microsoft.
ContainerService resource provider by using the az provider register command:. A taint and VM size can only be set for node pools during node pool creation, but the autoscaler settings can be updated at any time. All Contacts. Stay Informed Newsroom updates delivered to your inbox. Corporate Information. See our cookie policy for further details on how we use cookies and how to change your cookie settings.
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Sort By. Notification Preferences. Forum Actions. Two textures are interpolated over the surface, and their product results in the final specular BDRF. The initial textures supplied approximate a Cook-Torrance model using one set of possible parameters, but different textures can be used to emulate a wide variety of isotropic BRDF models. Try painting some of your own! Radial blur effect. This version allows you to specifiy an arbitrary number of samples.
A simple combination of vertex and pixel shaders with velvety edge effects. Great for any model that needs that "feeling of softness. In this case, a texture is used to vary the underlying surface color based upon both the view angle and the angle at which ligh strikes the surface. The initial data driving this shading model came from Ford Motor Company, which directly measured "Mystique" and other lustrous car paints in their lab.
The associated default texture is a hand-enhanced variant on the original Ford paint -- try painting your own! This effect allows the user to tweak the "flatness" of the shading against the surface of the screen, as if the 3D scene were carved in animating relief. Uses a texture map as a high-speed lookup, so that complex anisotropic highlights can be displayed in real time. This new version of the effect generates its own anisotropy map, and is compatible with both FX Composer and EffectEdit.
A sort of defered toon shading, which renders the light-dark transition as a soft, rounded line. Blur is done in two separable passes. Emulates a vibrating camera entirely through image-processing. A lambertian-like surface with light "bleed-through" -- appropriate for soft translucent materials like skin. The "subColor" represents the tinting acquired by light diffused below the surface.
Set the "Rolloff" angle to the cosine of the angle used for additional lighting "wraparound" -- the diffuse effect propogates based on the angle of LightDirection versus SurfaceNormal. Versions are provided for shading in pixel or vertex shaders, textured or untextured. Just pass image through as monochrome -- multiply it by the relative intensities defined by the parameters "Red," Green," and "Blue.
This is much like a Photoshop tm "color mixer" layer -- the intensities of each input red, green, and blue channels are graded against the colors indicated in the paramter list, then remixed.
Detect image edges in the current scene. Create a negative image of the underlying scene. Un-inverted alpha is preserved. Toony stuff. Two kinds of edge detection combined: normals and depth edge detection, resulting in clean predictable lines.
A look typical of s "op-art" optical printing. Makes a texture appear as if its "beheath" the surface. The dots are pre-calculated and are fetched, according to the desired intensity, from a small volume texture. HLSL noise implementation for an animated vertex program. Similar to the classic "RenderMan Companion" wood shader, though for realtime performance we use a noise texture rather than calls to a numeric noise function.
This new version is updated to support varying shininess for light and dark bands in the wood. A noisy halftoning pattern, based on noisy pre-calculated an indexed out of a 3D volume texture. A helpful tool for artists to optimize their texture sizes, so that textures created by artists wont be too small looking bad or too big wasting artist time on texture detail that will never be seen.
Render-to-Texture RTT glow example. Blurs is done in two separable passes. Simple tone mapping shader with exposure and gamma controls. Place a gradient background into the scene. Clear screen to a flat color.
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